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The Vortex as a Figure of the Observer

I am investigating convergent binocular vision and motion perspective effects in landscape images and video. These are not rendered as 3D stereo pairs - the images from both 'eyes' (separate cameras, or a camera in motion using extended exposure times) are superimposed to reveal a vortex effect with the point/s of attention at their centre. The landscapes themselves are complex in topography and texture but the emergent representations are dynamic distillations. In this work the presence of the observer is represented by the vortex.


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